Post-Colonial Immigration & Multicultural Festival Landscape

The post-war European integration project binding contemporary member regions across borders.

1 chapter

1914 - 1962

Two world wars and the Occupation created new memory rituals that reshaped Île-de-France's festival landscape. The Vel d'Hiv roundup (July 1942) — organized by French police under Vichy authority at the behest of German occupational forces — created a wound in Jewish community memory that was only officially acknowledged by President Chirac in 1995 after decades of denial. The Mémorial de la Shoah (inaugurated 2005 in the Marais) and its Drancy satellite (2012, opposite the Cité de la Muette internment camp) institutionalize Holocaust remembrance, though vandalism at Drancy shows the conflict is ongoing. Mont-Valérien, where more than 1,000 Resistance fighters were executed, became the national memorial of the Resistance and the site of annual commemoration. Post-war, massive immigration from North Africa, Sub-Saharan Africa, and the Caribbean began transforming the banlieues — Seine-Saint-Denis, Val-d'Oise, Essonne — planting the seeds of multicultural festival life that would reshape the region's cultural calendar. The forain community kept the Foire du Trône running even through wartime disruptions. Visit the Mémorial de la Shoah and you confront the wall of names; climb Mont-Valérien and you stand at the execution site where General de Gaulle chose to honor the Resistance.

1789 - 1914

The Revolution attempted to replace the Catholic calendar with a republican one (1793), suppressing feast days, melting down the Sainte-Geneviève Châsse for its metal (1793), and converting churches into Temples of Reason. But this secularization was incomplete and contested. The Concordat of 1801 restored Catholic worship — promulgated on Easter 1802 at Notre-Dame — and many suppressed feast days survived as secularized municipal fêtes patronales. The Sainte-Geneviève relics, secretly saved from the Revolution, were transferred to Saint-Étienne-du-Mont in 1803, where the Novena (December 26 – January 3) and annual Châsse procession were revived and continue to this day. The Panthéon — secularized from church to national temple — embodies the era's duality: a building that oscillated between Catholic and republican functions. The Foire du Lendit, unlike the Foire du Trône, never recovered from the Revolution's disruptions. Meanwhile, industrial Paris built new monuments (Arc de Triomphe, Eiffel Tower, Sacré-Cœur) that became sites of national ritual. Stand at Place de la Bastille and you are at the rupture point where the old calendar was overthrown; enter Saint-Étienne-du-Mont and you can see the 19th-century reliquary that carries forward a 1,500-year procession tradition.

1500 - 1789

Royal absolutism created a new kind of ritual: the court ceremony at Versailles, where the lever and coucher of the king functioned as a secular liturgy, and the royal hunt at Fontainebleau enshrined seasonal privilege over the forest. The Sainte-Geneviève Châsse processions — great city-crossing crisis rites that could draw the entire population into the streets — reached their baroque zenith in the 17th and 18th centuries. The Foire du Trône evolved from the medieval Foire Saint-Antoine into the Foire aux Pains d'Épice (gingerbread fair), and was relocated to the Place du Trône — named for the throne erected for Louis XIV's 1660 entry into Paris. Parish fêtes patronales across the Île-de-France countryside maintained the medieval saint-day cycle even as baroque Catholicism intensified its ritual spectacle with elaborate Fête-Dieu (Corpus Christi) processions through decorated streets. Walk the Hall of Mirrors at Versailles and you are in a space designed to make the king's body a ritual spectacle; visit Fontainebleau and the royal hunting forest still surrounds the château.

987 - 1500

The Capetian dynasty transformed Île-de-France's ritual landscape with Gothic cathedrals and a charter fair network that fused religious observance with commercial exchange and popular festivity. The Foire du Trône (chartered c. 957 under King Lothaire, confirmed 1131 under Louis VI for the Abbey of Saint-Antoine-des-Champs), the Foire du Lendit at Saint-Denis (chartered 1053, coinciding with the opening of Saint Denis's reliquary), the Foire Saint-Matthieu at Houdan (chartered c. 1065 by Amaury II de Montfort), and the Champagne fairs at Provins (11th–13th centuries) created a web of annual gatherings tied to saints' feast days, relic displays, and agricultural calendars. These fairs are the origin of the fête votive/patronale template that survives across the Grande Couronne: the saint's name and calendar date persist even after the religious content has been secularized into municipal community weekends. Notre-Dame and the Sainte-Chapelle — built to house the Crown of Thorns — embody the Capetian fusion of royal power, Gothic architecture, and liturgical spectacle. Visit Provins and the medieval fair-town layout is still legible in the streets; go to Houdan each September and you can attend a chartered fair that has run without significant interruption since the 11th century.