Catholic Reformation & Carnival Tradition

Habsburg rule, the Dual Monarchy and the multi-ethnic Austro-Hungarian world.

1 chapter

1430 - 1555

Burgundian ducal expansion wove Hainaut, Namur, and Brabant into a coherent territorial state—the Burgundian Netherlands—while the Prince-Bishopric of Liège remained a separate imperial entity, creating the dual-polity structure that still differentiates Walloon festival calendars. Philip the Good purchased the County of Namur (1421), inherited Brabant and Limburg (1430), and seized Hainaut, Holland, and Zeeland (1432). The Gothic Collegiate Church of Sainte-Waudru in Mons, begun in the mid-15th century, embodied Burgundian-era ecclesiastical patronage. The 1499 edict of Prince-Abbot Guillaume de Manderscheidt forbidding Stavelot's monks from participating in carnival gave rise—according to persistent tradition—to the Blancs Moussis, white-robed parodists who turned prohibition into performance. Climb Namur's citadel for its Burgundian siege layers, and step inside Sainte-Waudru's Gothic nave to read the Burgundian building campaign.

1795 - 1830

French Revolutionary annexation (1795) shattered the old principalities and reordered festival life through secularization and political rupture. The Prince-Bishopric of Liège was abolished; its cathedral, Saint-Lambert's—symbol of episcopal power—was demolished stone by stone from 1794 onward. The resulting void at Place Saint-Lambert remains Liège's most powerful material memory: an absence that tells you where the cathedral stood. Saint-Paul's church, founded in the 10th century, became the new cathedral. The Liège Revolution (1789–1795) had already weakened ecclesiastical authority; French rule completed the dissolution of monastic houses (Villers Abbey was abandoned in 1796). Yet early industrialization also began: William Cockerill's spinning machines (1799) and the first steam engines (1803) in Liège foundries seeded the coal-and-steel economy that would dominate the next century. Napoleon's defeat at Waterloo (1815) ended French rule and began the Dutch period. Stand at the empty centre of Place Saint-Lambert, visit Saint-Paul's cathedral, and walk Waterloo's battlefield to read this era of destruction and reinvention.

985 - 1430

Holy Roman Imperial principalities fragmented the region into competing polities—most importantly the Prince-Bishopric of Liège and the County of Hainaut—each with its own calendar, patron saints, and civic rituals. When Notger became the first prince-bishop of Liège in 985, the prince-bishopric gained imperial immediacy, and its palace became the administrative and ceremonial heart of a theocratic state. In 1082, Godfrey of Bouillon inherited and then sold Bouillon Castle to the Bishop of Liège to finance the First Crusade. Dinant's copper workers (dinandiers) developed the brassware trade that gave the French language the word dinanderie. The Cistercian Villers Abbey (founded 1146) introduced the monastic calendar into Walloon Brabant. The Cwarmê at Malmedy is documented as early as 1459 (Quarmæ). Stand in the Palace of the Prince-Bishops' courtyard, trace the Semois from Bouillon's ramparts, and inspect the dinanderie tradition in Dinant's collegiate treasury.

1830 - 1914

Industrialization transformed Wallonia into the second industrial power in the world after England, and coal shaped the social and ritual landscape that festival life still echoes. After 1830, the Walloon regions—Liège, Hainaut, the Sambre-Meuse corridor—became a coal-and-steel empire. Henri De Gorge built Grand-Hornu (1810–1830) as a model company town; Bois-du-Luc operated from the 1680s but expanded into an industrial complex; Blegny-Mine's Puits-Marie dates to 1849. The Canal du Centre's four hydraulic boat lifts (1888–1917) overcame the 66-metre height difference on the Charleroi-Brussels route. Industrial patron saints, union marches, and workers' processions entered the festival calendar alongside older carnival and ducasse traditions. Belgian coal attracted migrant labour—foreshadowing the Italian recruitment that would reshape commemorative practice after 1946. Descend into Blegny-Mine's shaft, walk Grand-Hornu's neoclassical courtyard, and ride the Canal du Centre lifts to read the industrial machine that powered a century of Walloon festival life.